Month: October 2015

Victorian Halloween Postcard

Victorian Halloween Postcards

Victorian Halloween Postcard We’re taking a look at Victorian Halloween postcards today! In the late 19th century, Halloween was an increasingly popular holiday for young adults and children. Halloween’s origins date back thousands of years to the Celtic festival of Samhain (“Sow-in”). The Celts believed that on the night of October 31st, the veil between this world and the next would thin, allowing ghosts (and possibly devils) to wander the land. The following day, November 1st, marked the end of the harvest season and the beginning of the dark winter months. Through the ages, Halloween celebrations were marked with ghost stories, mischief-making, and superstition.

During the Victorian era, American culture shifted toward a more playful vision of the traditional Halloween. Costumes and masks were no longer worn to confuse the walking ghosts, but to celebrate the festivities. And while ghost stories were still told, they began to take on a more romantic emphasis. These Victorian Halloween postcards depict one of the most popular party games of the day: romantic fortune telling.

Victorian Halloween Cards - Romantic Fortune Telling GamesOne of the prevailing beliefs was that a young woman could scry for her future husband using a mirror. Variations included cutting an apple into nine parts; the first eight parts would be eaten while standing in front of a mirror. The ninth apple part would be held over the shoulder “for the spirits”, and in gratitude the spirits would show the face of her future husband. There were many variations of using mirrors to divine the future in the Victorian era; mirrors were commonly believed to be portals to the afterlife. Using a series of mirrors to connect to the spirit world to find a glimpse of your soulmate was considered an exciting yet ultimately harmless undertaking. Gazing into a mirror to see your future or to talk to spirits continues as a Halloween tradition today with the children’s game “Bloody Mary”.

Victorian Halloween Postcards: Ducking for Apples

There were several fortune telling games that relied on apples. Ducking for apples (or “bobbing for apples” as we would call it today) stated that the first person to successfully grab their apple would be the first to marry. Bobbing for apples wasn’t always a fortune telling game, however. Just like today, sometimes bobbing for your apple would simply win you a treat rather than a romantic fortune.

Another apple-centric fortune telling game required a young lady to pare an apple in one long curl. Not only would this bring her good luck, but it would also reveal the first letter of her future husband’s name if she threw the apple peel either over her shoulder or into a bucket of water.

Victorian Halloween Cards: Prophetic CabbagesOne of my personal favorites among the tradition of romantic fortune telling games: prophetic cabbages. This Irish tradition was very simple. On All Hallow’s Eve a hopeful young woman would don a blindfold and run into a field or garden. While still blindfolded she must pluck the first cabbage she encounters out of the ground, roots and all. The ease or difficulty in picking the cabbage would foretell how much effort she would need to put in to win her sweetheart. If the cabbage had straight roots, her future husband would be handsome; crooked roots indicated an ugly husband. If dirt clung to the roots, her sweetheart would be wealthy, while clean roots foretold poverty. The next step was to eat the cabbage. The taste would indicate the temperament of her future husband: sharp, bitter, sweet, tasteless.

Victorian Halloween postcards and early 20th century postcards encompass a staggering variety of designs, many of them charming and unexpected to the modern eye. Here are a few more to leave you in the proper Halloween spirit:

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"Hidden Mother" tintype photograph

Hidden Mother Photographs – Behind the Scenes of Early Photography

"Hidden Mother" tintype photographWe recently came across this “Hidden Mother” tintype, just in time for the Halloween season. At first glance, the tintype is simply a charming portrait of a baby. On closer inspection, you can see the half-hidden form of the child’s mother crouching behind the chair. Some people find Hidden Mother photographs a little creepy, but they’re also a really great look behind the scenes of early American photography.

The first publicly announced photographic process was the daguerreotype process, invented by Louis Daguerre. The process required several minutes of exposure in the camera and produced beautifully clear and detailed images. In a daguerreotype, the image is developed on thin silver-plated copper sheets and has a reflective quality that can make it look like the image is floating above the metal’s surface. The surface of the image is quite delicate and would be covered with a protective sheet of glass. Creating a daguerreotype was expensive and time consuming, and by the 1860s it had mostly been replaced by newer, more practical processes like the tintype.

A tintype, also known as a ferrotype, is easily identifiable: the photograph is on a thin sheet of metal coated with a dark lacquer or enamel. While a tintype has a metallic sheen, it is not highly reflective like a daguerreotype and has a noticeably darker tint overall. The tintype process was quick, inexpensive, and durable, and proved to be an immediate public success: a person could sit down, have their photo taken, and walk out with the tintype mere minutes later.

Although tintypes required a shorter exposure time than daguerreotypes, it was a far cry from today’s instant photography. The exposure times could last anywhere from 10-40 seconds depending on the light, making it challenging to photograph small children. The solution for 19th century parents who wanted a clear, non-blurry photograph of their child was the “Hidden Mother” (also sometimes known as “Ghost Mothers”).

Hidden Mother photographs can be found across the spectrum of early photographic types: daguerreotypes, tintypes, and ambrotypes. The photographs may have a disembodied hand reaching out to steady an infant propped up in a chair, or the edge of a mother’s body may be visible as she crouches (mostly out of sight). In other less subtle photos, a child will be seated on her mother’s lap while the mother is entirely covered with a large cloth draped over her head and body. Perhaps the most unnerving of the Hidden Mother photographs are the ones in which the mother’s face was visible in the final photograph– and was then scratched out and obliterated. The photographs would often be mounted or framed with an oval mat to obscure the mother’s form even more.

Tintypes were a popular choice for family portraits in the late 19th century, and retained their popularity, particularly at tourist destinations, well into the 1940s. Tintypes were inexpensive and readily available to nearly everyone, ideal for capturing a child’s first photograph. Hidden Mother photographs are a fascinating and collectible look behind the scenes of the ingenuity used to overcome the technology’s limitations and achieve the perfect child’s portrait.


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