Appraisal Event Finds: A Glimpse at Tiffany Studios Glass & Sculpture
On Saturday, April 13, we held an Appraisal Day event at the Trinity Lutheran Church in Castleton, N.Y. It was a well-attended event and we saw a great variety of heirlooms and treasures.
One very nice man and woman brought in some really unusual and interesting pieces of family memorabilia from their grandfather who worked as a glassblower at Tiffany Studios. Louis Comfort Tiffany founded his first glass factory in 1892 and proceeded to embark on a highly celebrated and innovative career in fine glassmaking. His constant drive to develop new techniques while exploring and expanding upon traditional methods led to some of the period’s most notable works of decorative art.
Tiffany patented his distinctive Favrile art glass technique in 1894. Favrile glass is recognizable by its iridescent sheen and vibrant coloring. Favrile glass was a unique accomplishment for the time; unlike many other types of contemporary iridescent glass, the luminous hues of Favrile glass were created by embedding the colors in the molten glass rather than applying them later to the item’s surface.
Pictured below is a charming handled pitcher that was handblown by this couple’s relative at Tiffany Studios. The pitcher is a very nice example of the Tiffany Studios’ exploration of more naturalistic and organic forms. The pitcher has a beautiful handwrought appearance, with gracefully curving lines that sweep up and out from the base.
Although Tiffany Studios is probably now best known for its glass, it also produced some of the finest quality bronze sculptures in its foundries around the turn of the century. Pictured below is an original photograph showing the couple’s grandfather working at Tiffany Foundries finishing the Women of the Confederacy Monument for the Mississippi State Capitol in Jackson. The photograph is a wonderful behind-the-scen
The monument was designed by Belle Kinney (1890-1959) in honor of the women of the Confederacy. Belle Kinney was an accomplished and well-regarded sculptor who worked on large-scale public monuments such as the recreation of the Parthenon in Nashville’s Centennial Park and the bronze figure of Victory for the World War I Memorial located in the Pelham Bay Park, Bronx, New York. The Nashville, Tenn., native won first prize at the Tennessee Centennial Exposition at the age of 7, attended the Art Institute of Chicago on a scholarship at the age of 15, earned her first commission at 17, and was only 23 when awarded the commission for the Women of the Confederacy Monument.
Belle Kinney’s statue depicts a wounded Confederate soldier in the arms of a Southern lady, who presents him with a palm of glory, a symbol of triumph beyond the reach of death, while the figure of Fame extends a wreath over the woman’s head. The statue bears an inscription dedicated to the mothers, daughters, sisters, and wives of the Confederacy. The original concept called for all of the former Confederate states to erect the same design, but public disagreement on the monument’s final appearance delayed the process to the point where the scheme completely fell apart. The statue is a striking example of the fine quality casting for which the Tiffany foundries were known. The foundry was located in Corona, Queens, and produced some amazing sculptural pieces before closing in 1932.
We love appraisal events and how your family’s treasures can bring us the opportunity to catch a glimpse into history. The Schodack Scene has more pictures from the event at their blog.
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